Horrified
There’s a post on H. P. Lovecraft’s extreme racism on the way, and given the abundance of stimulating material on the topic, a small taster is irresistible. This highly representative essay by Nicole Cushing serves as an occasion. She writes:
Broaching this subject is also difficult because it has to be handled with some nuance (which is difficult to achieve in a discussion of a topic as justifiably emotionally-charged as American racism). It would be too easy to point to Lovecraft’s racism (and some of his other failings as an author), and dismiss him as an undistinguished crackpot who deserved nothing better than publication in the pulps. I’m not going to do that here. My stance is that Lovecraft made an important contribution to horror and science fiction by focusing (in a persistent and compellingly imaginative way) on the terror induced by the revelation of human non-significance in the cosmos. […] Lovecraft has had a meaningful influence over horror fiction (in particular) for many years, an influence that transcends his racism. … All of this is just a long-winded way of explaining that Lovecraft’s racism doesn’t negate his accomplishments.
But his accomplishments don’t negate his racism. (Enter, cognitive dissonance).
Among the most fascinating aspects of this commentary is its blatant misdirection, since — of course — the phenomenon indicated has nothing whatsoever to do with cognitive dissonance. There is an encounter here with an abnormal species of literary genius, associated with profound metaphysical truth, which at the same time — and for inextricably tangled reasons — triggers a reaction of moral panic, tilting over into deep somatic revulsion. In other words, and perhaps even quite simply, what is being related by Nicole Cushing is — horror.