Archive for November 22nd, 2014

Interstellar

The most prominent problems with Interstellar have already been capably discussed, so it’s not worth spending much time going back over them. The basic catastrophe scenario has more gaping holes than a Hawking cosmology, and is in fact so ludicrous that it quite neatly takes itself out of the way. The framing ideology is romantic superhumanism, which might even count as a positive for some (although not here). The musical score (by Hans Zimmer) was wildly overwrought. All-too-typically for Hollywood, high-pitched emotional extravagance was shamelessly indulged. Despite all of this, it was a great movie.

interstellar-trailer-ft1

Interstellar‘s narrative architecture is composed of a deep cosmic space-frontier story, and an occult communication story, bolted together by a time loop. (Plug.) The involvement of Kip Thorne reinforced the seriousness of this framework. (Thorne’s explorations of cosmological warping are a marvel of advanced modernity.) Nolan is, in any case, a director who knows things — or at least suspects them, enough to stretch his audience. As a piece of contemporary myth-making on an epic scale, the achievement of Interstellar is formidable.

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November 22, 2014admin 9 Comments »
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