The word ‘neoreaction’ is a split, productively paradoxical formula, simultaneously referencing two incompatible cultural formations, each corresponding to an abstract model of time. On one side, it is a gateway opening onto techno-libertarian hyper-progressivism, and an order of time structured by irreversible accumulation, self-envelopment, and catastrophe horizon (Singularity). On the other, it opens onto the temporality of reaction and the cycle, where all progress is illusion, and all innovation anticipated. Within NRx, the time of escape and the time of return seek an obscure synthesis, at once unprecedented and primordial, whose cryptic figure is the spiral. (This is the time of the Old Ones and the Outside, from which the shoggoth come.) If NRx thinks itself already lodged articulately in this synthesis, it deludes itself.
From a strictly philosophical perspective, the time of reaction finds no defender more able than Archdruid John Michael Greer. while his specific form of religious traditionalism, his social attitudes, and his eco-political commitments are all profoundly questionable from the standpoint of throne-and altar reaction, his model of time cannot be surpassed in an Old Right direction. Those who would install a prejudice of relentless degeneration in its place, anchored by a revealed religion of recent creation and subsequent continuous fall, only position themselves to the ‘right’ of Greer by making God a revolutionary. If deep time is to be preserved, there can be no archaic authority beyond the cycle.
Why call Greer a reactionary? It is not, after all, a label he would accept for himself. The answer lies in cyclical time, and everything that follows from it: the supremacy of wisdom among human things, the enduring authority of history, the dismissal of modernist pretension as a mere mask for deep historical repetition, an absolute disillusionment with progress, and an adamantine prognosis that — from the peak of fake ‘improvement’ where we find ourselves — a grinding course of decline over coming centuries is an inevitability. The cultural and political decoration can be faulted, but in the fundamental structure of Greer’s thinking, reaction is perfected.
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