Then the swipples could do the same to her faction.

A few more on each side and you’ve got Earth again.

Hey! It’s the story of democracy!

Obamacare is just the start (it’s actually pretty far from the start).

The cycle is ” regulations to screw something up -> more regulations in response to the screw up -> worse screw up -> more regulation” ad infinitum.

Oh wait….

http://www.thedailybeast.com/articles/2013/10/04/what-pushed-miriam-carey-to-a-capitol-hill-tragedy.html

Oh wait… we actually did that, along with green revolution agriculture, the industrial revolution, etc., etc. That’s what *set off* the third world population explosion in the first place–western medicine and food dramatically cutting the death rates of the poor with no corresponding reduction in births. This does not seem to have occurred to Blomkamp nor does he appear to have thought through the consequences of a repetition under even more extreme demographic conditions or… our host is right: this is as much ideological slapstick as he thought he could get away with on the way to infinite stupidity!

The feeling you get while watching Elysium is the same with any M. Night Shyamalan movie that isn’t Sixth Sense — not quite Lucas prequel hell, but the distinct feeling that the maker has either lost his touch or didn’t know what made his work good.

They’re making movie scores.

Progs have trashed the arts bigtime, and classical composition is no exception as it decended into holier-than-thou non-art. Hence the irony of the day: we have the greatest number of amazing classical musicians in the history of the world, but the only contemporary composers with any fame are those who must confront the reality of a genuine audience outside their Progressive peers.

Watching Elysium, it’s apparent he thinks the human race is probably buggered, although the solution he’s holding out for is reassuringly Blomkampian. “The only way things will change is if we’re smart enough to develop technology that can think us out of this, meaning augmenting ourselves genetically to be smart enough to change shit,” he says. “Or to have artificial intelligence and programs to help solve the problems.”

I think he’d have fun around here.

Mozart and Beethoven were contemporaries. Where are the Mozarts and Beethovens of our generation? Wherever they are, they’re not selling as well as Lil Wayne, ergo, Lil Wayne makes better music?

Or maybe rap music sells CDs to young Whites who want to hear about sex and drugs and crime, and it’s made by Blacks because feminists can’t object to authentic Black culture.

The Negroes have been credited with pretty much all the music ever, and the Arabs and Chinese with science, by the same preening Leftists.