Parametrics and Provocation
This is from April last year (but I’ve only just found it). It’s quite amazing how many lines intersect in it:
Both Schumacher’s and Hadid’s language propose an architecture that’s “above” trivial moral and political hand-wringing, like worker’s rights. Peggy Dreamer, in a recent CalArts panel, described Schumacher’s style as “über-form,” meaning that it takes on the aesthetic of the universal and inevitable in order to create icons of an imaginary future. And that is what China and the Emirates are buying — the Seoul Design Park, Galaxy SOHO, Guangzhou Opera House, the 2022 Qatar World Cup Stadium. These are icons of future cities, not current ones.
The reason it’s here, now, though is to add some framing for this Patrik Schumacher talk, which I was politely asked (on Twitter) to trigger a Xenosystems conversation about it. While I’m in no position to directly wire-head XS readers, it looks stimulating to me. (There isn’t much capitalistic historical materialism about.)
— Crypto Sentiment (@cryptosentiment) November 21, 2015