It’s pulpy and narrative-driven, of course, but that surely has its place. Even within its limitations it helps to hold open the question — from which I’m far too easily distracted — what would an NRx aesthetic be? The thematic reflexivity is a part of that.

To be brutally frank, I’ve basically given up on the West as a source of continuing visual aesthetic achievement (symptom). Its global influence strikes me as radically toxic, promoting worthless pomo garbage wherever it gets its foot in the door, and whenever it tries to pull-out of its death spiral — to become neo-traditional — it sticks Roman columns everywhere and looks simply ridiculous. The last person who could get away with anything like that was de Chirico. Probably fascism wrecked it, as it did so many other things. Grumpiness aside, the importance of the discussion is undeniable. The consolidation which matters most takes place on the aesthetic plane.

ADDED: Huge twitter agitation about this, so I’m tacking it on, even though the connection is tenuous at best.