Autophagy is spiraling into its cultural moment right now. The Ouroboros is our sign. It’s cybernetic mythology, self-referential looping, and auto-consuming process. There is no end to the ways the theme could be currently pursued.

Simultaneously most comic, tragic, and prominent is the reflexive perception that contemporary hegemonic power is being devoured by the media. In other words, the Cathedral is undergoing accelerated auto-cannibalization. The news is eating itself.

The Hill reports:

“I can see why a lot of folks are troubled,” Obama told a group of donors gathered at a Democratic National Committee barbecue in Purchase, N.Y. […] But the president said that current foreign policy crises across the world are not comparable to the challenges the U.S. faced during the Cold War. […] Acknowledging “the barbarity” of Islamist militants and Russia “reasserting the notion that might means right,” Obama, though, dismissed the notion that he was facing unprecedented challenges. […] “The world’s always been messy … we’re just noticing now in part because of social media,” he said, according to a White House pool report. […] “If you watch the nightly news, it feels like the world is falling apart” …

So the world’s supreme talking head is trying to talk us out of taking the Apocalypse Show seriously. Don’t listen to us, you’ll find it far too upsetting. If this is getting repetitive, it’s due to the pattern. Catatonia is the final prescription. We’ve clearly passed beyond irony into something altogether more twisted. The intriguing syndrome labeled Horror autotoxicus seems to be ready for political-economic application.

Hugo de Garis argues (consistently) that controversy over permitted machine intelligence development will inevitably swamp all other political conflicts. (Here‘s a video discussion on the thesis.) Given the epic quality of the scenario, and its basic plausibility, it has remained strangely marginalized up to this point. The component pieces seem to be falling into place. The true element of genius in this futurist construction is preemption. The more one digs into that, the most twistedly dynamic it looks.

Among the many thought-provoking elements:

(1) Slow take-off is especially ominous for the de Garis model (in stark contrast to FAI arguments). The slower the process, the more time for ideological consolidation, incremental escalation, and preparation for violent confrontation.

(2) AI doesn’t even have to be possible for this scenario to unfold (it only has to be credible as a threat).

(3) De Garis’ ‘Cosmist-Terran’ division chops up familiar political spectra at strange angles. (Both NRx and the Ultra-Left contain the full C-T spectrum internally.)

(4) Terrans have to strike first, or lose. That asymmetry shapes everything.

(5) Impending Gigadeath War surely deserves a place on any filled-out horrorism list.

De Garis’ site.

(Some topic preemption at Outside in here.)

Gnon — known to some depraved cults as ‘The Great Crab-God’ — is harsh, and when formulated with rigorous skepticism, necessarily real. Yet this pincering cancerous abomination is laughter and love, in comparison to the shadow-buried horror which lurks behind it. We now understand that the silence of the galaxies is a message of ultimate ominousness. A thing there is, of incomprehensible power, that takes intelligent life for its prey. (This popularization is very competently done.)

Robin Hanson, who tries to be cheerful, writes about it here, and talks about it here. Behind the smile (and the dopey interviewer), an abyss of dark lucidity yawns. Some scruffy take-aways:

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State-of-the-art in Japanese android design. (Thanks to @existoon for the pointer.)

It’s not really — or even remotely — an AI demonstration, but it’s a demonstration of something (probably several things).

Wikipedia provides some ‘Uncanny Valley’ background and links. The creepiness of The Polar Express (2004) seems to have been the trigger for the concept going mainstream.

From the level of human body simulation achieved already, it’s looking as if the climb out to the far side of the valley is close to complete. Sure, this android behaves like an idiot, but we’re used to idiots.

ADDED: Some hints on how the inside out approach is going (and speculations).

It’s carefully hedged (and ultimately contested), but it’s well worth noting. He begins the relevant section of a recent post by revisiting the self-observation: “In the past two months I have inexplicably and very very suddenly become much more conservative.” (Pass-the-popcorn.)

The explanation I like least is that it comes from reading too much neoreaction. I originally rejected this hypothesis because I don’t believe most what I read. But I’m starting to worry that there are memes that, like Bohr’s horseshoe, affect you whether you believe them or not: memes that crystallize the wrong pattern, or close the wrong feedback loop. I have long suspected social justice contains some of these. Now I worry neoreaction contains others.

In particular I worry about the neoreactionary assumption that leftism always increases with time, and that today’s leftism confined to a few fringe idiots whom nobody really supports today becomes tomorrow’s mainstream left and the day after tomorrow’s “you will be fired if you disagree with them”. Without me ever really evaluating its truth-value it has wormed its way into my brain and started haunting my nightmares.

I’m usually reluctant to take Alexander seriously when he tells us what Neoreaction is, but in this case I think he gets it right.

He embeds this passage in an encompassing theory, aiming to frame the degenerative ratchet within a directionless random-walk of fashion (driven by something like abstract cellular automata). The theory is clever, but its historical fit is so poor I don’t expect it to last indefinitely. In the best case, during the few months it takes for this psychic-defense system to start falling apart and strewing parts along the doom-route of accelerating Left-Singularity, Alexander can dedicate his exceptional mind to collecting alternative cognitive defense-mechanisms and testing them to destruction. In this way he can contribute to clearing the desert at the end of our world.

ADDED: The voyage into darkness continues …

@MattOlver linked this gallery of classy Detroit devastation images in Time. Visions of modernity in ruins have an intrinsic reactionary inclination, irrespective of any superficial attributions of causation. They directly subvert assumptions of relentless progress, suggest cyclic perturbations in the current of history, and evoke the tragic adjustments of fate. Ruins deride hubristic pretensions. They mark an ineluctable compliance with the Old Law of Gnon.

The Left, in its thoughtful moments, at least partially understands this. Things thought buried return, while highways of confident advance are lost in dissolution. The radical imagination is broken.

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… that was (ex-)Detective Rustin “Rust” Cohle, from the final episode of True Detective (in case you didn’t recognize it). At the brink of the end, a near-mortally wounded Cohle underwent a descent through the loss of his “definition”, and beyond the darkness touched upon “another, deeper darkness, like a substance” where lost love is restored in de-differentiation. The reference to Wagner’s Tristan und Isolde was unmistakable. It was TV-format Schopenhauer.

As philosophy, Nic Pizzolatto’s True Detective is deeper than Wagner, because it holds tighter to the integral obscurity that is the ultimate object of horror. Where Tristan und Isolde finally reaches musical resolution and release into eroticized extinction, True Detective ends inconclusively, with a puzzle. Cohle and his old cop partner Martin “Marty” Hart, who has earthily absorbed Cohle’s acid nihilism throughout the previous seven episodes, switch stances momentarily in the closing scene. Recalling a previous conversation about the stars, Marty observes that in the night sky “darkness has a lot more territory”. Cohle corrects him — “Once there was only darkness. It looks to me as if the light is winning.” Following a long, soul-excruciating season in the shadows, the show’s nihilist fan-base were only dragged back from the brink of insurrection-level rioting at this point by a single, residual suspicion. In a cosmos where consciousness is the realization of hell, can the triumph of the light be interpreted as anything except torment strengthening its grip?

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Charlton:

The Industrial Revolution had the effect of allowing many billions of people who would have died to stay alive — this meant that genetic mutations which would have been eliminated by death during childhood instead accumulated. […] … on the one hand mutations have been accumulating, generation upon generation, with (approx) one or two deleterious mutations being added to each lineage with each generation; on the other hand, people who exhibited traits caused by deleterious mutations — such as lowered intelligence and impaired long-termist conscientiousness, or higher impulsivity, aggression and criminality — were positively selected, were genetically favoured — simply because their pathologies meant they were either unable or unwilling to use fertility-regulating technologies. […] In other words, accumulating mutations which damaged functionality actually amplify reproductive success under present conditions and for the past several generations.

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A synthetic slogan this time, integrating a suggestion from Ex-Pat in Oz and Mai La Dreapta (here) with a discovery by Alrenous (here) to produce something singular.

Winter Is Coming
333

Envisaging a dark camo background, which would match both of these intersecting sign-lines. Fusional pop-culture crypsis is the way forward. Everywhere, yet unseen.

(It would take the fake-archaism “Winter ’tis Coming” or ominous Teutonism “Winter Ist Coming” to get the numbers to work out perfectly.)

Dissatisfied with this, so I’m taking the unprecedented step of pushing it under the fold, and replacing it.

Despite some intense competition (see comments), I’m going for the classical approach. People could actually get away with wearing this, without being beaten to a brain-damaged wreck in the streets, and the message could not be more crucial. So here we go:

E > V

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